Bio Statement
With a career spanning over seven years, Matthew has meticulously honed his expertise as a Director of Photography, Gaffer, and Colorist. Currently, he is a distinguished senior at George Mason University, majoring in Film and Video Studies. Matthew's university experience is notable for his significant contributions to over two dozen films, showcasing his versatility and skill in roles such as Director of Photography, Colorist, and Gaffer. His academic journey began at the Bixhorn Technical Center (2015-2016), where his passion for film production not only saw him graduate at the top of his class but also achieve consistent honor roll status throughout his tenure. His profound technical knowledge and practical experience in film make him exceptionally well-prepared for a promising career in the industry.
Artist Statement
My artistic style as a cinematographer is deeply immersive, emotionally engaging, and visually striking. At its core, my approach is about harmonizing meticulous preparation with creative vision, ensuring that every shot not only advances the narrative but also deepens the audience's connection to the story and its characters.
I lean heavily on the use of wide-angle lenses and strategic lighting to not just tell a story, but to make it felt. Wide-angle lenses are a key part of my toolkit, allowing me to capture vast scenes while also bringing the audience closer to the characters' emotions and thoughts through wide angle close ups. This technique lets me play with space and perspective, making a character's loneliness or determination feel more intense. It's like opening a window not just to the scene but to the character's soul, letting the audience step in and experience the world through their eyes. My aim is to break down the wall between the viewer and the narrative, creating a connection that’s both visual and emotional. Imagine trying to capture not just a person, but their entire environment in one frame, making you feel like you're right there with them.
Lighting, for me, is about painting with shadows as much as it is about illuminating scenes. Choosing to shoot in low light isn't just about creating a mood; it's a complex dance of adjusting camera settings and carefully placing light sources to sculpt the scene precisely. This method allows me to highlight details or cast parts in shadow, adding layers of mystery or intimacy. The effect is akin to visual poetry, where the play of light and shadow can say as much as the dialogue, guiding the audience's feelings and drawing them deeper into the story. I aim to create an atmosphere that complements the narrative, enhancing the emotional stakes and making every scene memorable.
Ultimately, my goal as a cinematographer is to craft films that resonate on an emotional level, inviting the audience to not just watch but to feel and experience the narrative. Through careful consideration of lenses, lighting, and planning, I strive to create films that linger in the mind and heart long after the credits roll, bridging the gap between storytelling and experience.